Arnold Böcklin, Spring in a Narrow Gorge

J. Paul Getty Museum, Los Angeles

Date: 1881
Technique: Oil on canvas

Arnold Böcklin, Sirens (Sirenen)

Alte Nationalgalerie, Berlin

Date: 1875
Technique: Tempera on canvas, 46 x 31 cm

Arnold Böcklin, Tombstone

Date: c. 1880
Technique: Unknown

Arnold Böcklin, Island of the Dead (Die Toteninsel) - ''New York'' version

Metropolitan Museum of Art, New York

Date: 1880
Technique: Oil on wood, 73.7 x 121.9 cm

Arnold Böcklin, Der Ritt des Todes (Herbst und Tod)

Alte Pinakothek, Munich

Date: 1871
Technique: Resin on canvas, 79.0 x 136.5 cm

Arnold Böcklin, Triton Blowing on a Conch (Triton, auf einer Muschel blasend)

Niedersächsisches Landesmuseum Hannover

Date: 1879
Technique: Unknown

Arnold Böcklin, The Night (Die Nacht)

Date: 1870
Technique: Oil on canvas, 136 x 79 cm

Arnold Böcklin, A Dragon in a Rocky Gorge (Ein Drache in einer Felsenschlucht)

Schackgalerie, Munich

Date: 1870
Technique: Oil on canvas, 152 x 92.5 cm

Arnold Böcklin, The Chapel (Die Kapelle)

Private collection

Date: 1898
Technique: Oil on canvas, 94 x 70.5 cm

Arnold Böcklin, Ruins in a Moonlit Landscape (Mondscheinlandschaft mit Ruine)

Private collection

Date: 1849
Technique: Oil on canvas, 24.5 x 32.5 cm

Arnold Böcklin, The Isle of the Dead (Die Toteninsel) - The fifth version

Museum der bildenden Künste, Leipzig

Date: 1886
Technique: Oil on panel, 80 x 150 cm

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Arnold Böcklin, Prometheus

Private collection

Date: 1882
Technique: Oil on canvas, 116 x 150 cm

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Arnold Böcklin, Astolf reitet mit dem Haupte Orills davon

Kunstmuseum Basel

Date: 1873
Technique: Oil on canvas

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Arnold Böcklin, Attack by Pirates

Wallraf-Richartz-Museum, Köln

Date: Second half of 19th century
Technique: Colour varnish on mahogany panel, 153 x 232 cm

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Arnold Böcklin, The Isle of the Dead (Die Toteninsel) - The fourth version

Date: 1884
Technique: Original in oil on copper, 81 x 151 cm

Financial imperatives resulted in a fourth version in 1884, which was ultimately acquired by the entrepreneur and art collector Baron Heinrich Thyssen and hung at his Berliner Bank subsidiary. It was burned after a bomb attack during World War II and survives only as a black-and-white photograph.

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Arnold Böcklin, Will-O’-The-Wisp (Das Irrlicht)

Museum Georg Schäfer, Schweinfurt

Date: 1862
Technique: Oil on canvas, 81 x 59 cm

A will-o'-the-wisp or ignis fatuus (Latin, from ignis, "fire" + fatuus, "foolish") — also called will-o'-wisp, corpse candle, jack-o'-lantern, and friar's lantern— is the folklore term for a ghostly light sometimes seen at night or twilight over bogs, swamps, and marshes. It resembles a flickering lamp and is sometimes said to recede if approached. Much traditional, non-scientific belief surrounds the phenomenon.

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Arnold Böcklin, The Isle of the Dead (Die Toteninsel) - The third version

Alte Nationalgalerie, Berlin

Date: 1883
Technique: Oil on wood, 80 x 150 cm

The third version was painted in 1883 for Böcklin’s dealer Fritz Gurlitt. Beginning with this version, one of the burial chambers in the rocks on the right bears Böcklin's own initials: "A.B.".

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Arnold Böcklin, Pan Amongst the Reeds

Oskar Reinhart Foundation, Winterthur

Date: 1856-57
Technique: Oil on canvas

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Arnold Böcklin, War (Der Krieg)

Gemäldegalerie, Dresden

Date: 1896
Technique: Oil on wood, 100 x 69,5 cm

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Arnold Böcklin, War (Der Krieg)

Kunsthaus, Zürich

Date: 1897
Technique: Oil on canvas, 222 x 170 cm

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