Date: 1808
Technique: Oil on canvas 73 x 106 cm
Showing posts with label Caspar David Friedrich (1774-1840). Show all posts
Showing posts with label Caspar David Friedrich (1774-1840). Show all posts
6/3/24
Caspar David Friedrich, Inside the forest in the moonlight
Alte Nationalgalerie, Staatliche Museen zu Berlin
Date: c. 1823
Technique: Oil on canvas, 70.5 x 49 cm
5/9/19
Caspar David Friedrich, The times of day: The evening (Tageszeitenzyklus: Der Abend)
Date: 1821-22
Technique: Oil on canvas, 22 x 30.5 cm
4/16/19
Caspar David Friedrich, Woman Seated under a Spider's Web (Melancholy)
Date: c. 1803
Technique: Woodcut, 17.1 x 12.1 cm
Woodblock cut by the artist's brother Christian Friedrich, German, 1779 - 1843
8/15/17
Caspar David Friedrich, The Cemetery
Date: c. 1825
Technique: Oil on canvas, 143 x 110 cm
7/25/17
Caspar David Friedrich, The Morning
Date: 1821-22
Technique: Oil on canvas, 22 x 30.7 cm
7/24/17
Caspar David Friedrich, Lady on the Staircase
Date: c. 1825
Technique: Oil on canvas, 73 x 51 cm
1/12/17
Caspar David Friedrich, Waft of Mist (Nebelschwaden)
Date: c. 1820
Technique: Oil on canvas, 32.5 x 42.5
12/16/16
Caspar David Friedrich, Dolmen in Autumn (Hünengrab im Herbst)
Date: c. 1820
Technique: Oil on canvas, 55 x 71 cm
5/10/16
Caspar David Friedrich, Easter Morning
Date: 1828-35
Technique: Oil on canvas, 43.7 x 34.4 cm
Caspar David Friedrich, Greifswald in Moonlight
Date: 1817
Technique: Oil on canvas, 30.5 x 22.5 cm
5/10/14
Caspar David Friedrich, Walk at Dusk (Man Contemplating a Megalith)
Date: 1830-35
Technique: Oil on canvas, 33.3 x 43.7 cm
9/27/11
Caspar David Friedrich, Owl in a Gothic Window
State Hermitage Museum, Saint Petersburg (Государственный Эрмитаж)
Date: c. 1837
Technique: Sepia over a pencil sketch, 37.8 x 25.6 cm
Source
10/3/08
Caspar David Friedrich, The Sisters on the Balcony
Hermitage, St Petersburg
Date: c. 1820
Technique: Oil on canvas, 74 x 52 cm
The Gothic cityscape combines buildings from Halle, Stralsund, Neubrandenburg and Greifswald. The two women in old-German costume may be Friedrich's wife Caroline and his sister-in-law Elizabeth.
Source
Caspar David Friedrich, The Ruins of Eldena
Private collection
Date: c. 1825
Technique: Pencil, ink and watercolour, 178 x 229 mm
Caspar David Friedrich, The Cemetery Gate (The Churchyard)
Kunsthalle, Bremen
Date: 1825-30
Technique: Oil on canvas, 31 x 25 cm
A symbolic and heavy sadness lies over this painting. At an exhibition mounted by the Bremer Kunst-Verein in 1833, the painting bore the title Priessnitz Churchyard near Dresden. Friedrich and Dahl are known to have made drawings of this cemetery in 1824.
Source
Caspar David Friedrich, Graveyard under Snow
Museum der Bildenden Künste, Leipzig
Date: 1826
Technique: Oil on canvas, 31 x 25 cm
A symbolic and heavy sadness lies over the Graveyard under Snow. We are now looking from inside the cemetery across the grave to the open gate, which is surrounded by a latticework of bare branches. The stormy sky is dead and empty. The open grave in the foreground has prompted much speculation. Some have suggested that it is intended as the future resting-place of the artist.
Source
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